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The design, content and all images within this web site
© 1990-2011 Brian Keen LRPS
© 1990-
brian keen
about brian keen
Brian Keen was given his first Kodak Instamatic in the early 1970’s. He hasn’t stopped taking photographs since - although he has invested in one or two new cameras along the way.
A love of landscape and documentary photography as a hobby, became a career specialising in commercial property and architecture.
From his base, in Newport Shropshire, Brian undertakes commissions nationwide, under his Height Advantage branding. The name comes from a specialised mast system, which elevates the cameras up to 25 metres high, giving stunning viewpoints, not available by any other means. For more information visit the Height Advantage web site.
Client commissions take up most of the good weather this country can offer, but on the odd free sunny day the hobby once again becomes the focus of his focus, so to speak.
Most of the non-commissioned images, especially those from pre-digital days, simply remain in the archives. Some of them have now been transferred to Brian’s and Height Advantage’s Facebook pages, but the idea is that, one day, they will form a gallery here. Will that ever happen........we’ll wait and see.
Much of Brian’s work is also available for commercial and editorial use through various picture libraries.
Brian Keen was given his first Kodak Instamatic in the early 1970’s. He hasn’t stopped taking photographs since -
A love of landscape and documentary photography as a hobby, became a career specialising in commercial property and architecture.
From his base, in Newport Shropshire, Brian undertakes commissions nationwide, under his Height Advantage branding. The name comes from a specialised mast system, which elevates the cameras up to 25 metres high, giving stunning viewpoints, not available by any other means. For more information visit the Height Advantage web site.
Client commissions take up most of the good weather this country can offer, but on the odd free sunny day the hobby once again becomes the focus of his focus, so to speak.
Most of the non-
Much of Brian’s work is also available for commercial and editorial use through various picture libraries.
